"Celadine"
Stage Scene LA.com, February 13, 2010
“Wolf has just the right glamour and sophistication to bring Celadine to life, as well as comedic flair and the dramatic chops needed to express the ever-present pain that accompanies the loss of a child.”
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'Celadine' at the Colony Theatre
Los Angeles Times, February 18, 2010
“Celadine” turns out to be the story of a woman struggling to acknowledge a tragedy and move on. That she does so in a corset instead of on a couch, quoting Aphra Behn instead of Kubler Ross, is what gives this tale a surprising poignancy.
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“Molly”
Nite Lights, 2009
“Giselle Wolf is captivating as Molly! …She looks like the cover of a fashion magazine, and chatters on like an exuberant child.”
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Acting underscored in play
Glendale News Press, December 11, 2009
“Heading up the company in the title role is Giselle Wolf, whose expertise lies in her ability to make this character simultaneously endearing and maddening...”
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Cabaret performance
Cabaret Scenes, August 22, 2009
“Appearing as part of the California International Theatre Festival, Giselle Wolf lived up to the international theme of the Festival...”
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Cabaret performance
Glynn MacDonald, Director of Movement, Shakespeare’s Globe, London
“…Giselle Wolf is an interpreter, whose consummate skills can deliver these messages of love, joy, sadness, regret, loss and just being human…”
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One Touch of Venus
Musical Stages, Issue 30, Autumn 2001
“…There is a very stylish Girl Friday, wisecracking and sassy, from Giselle Wolf who has ‘Broadway’ all over her. She is a lesson in the style of the period…”
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A goddess to love
The Telegraph, August 2, 2001
“…Giselle Wolf has exactly the right hard-boiled, wise-cracking manner as the secretary who secretly holds a torch for him…”
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One Touch of Venus
August 2, 2001
“…Fabulous complications ensue involving the owner of the statue, two hoodlums, a wise-cracking Rosalind Russell-style secretary and even Dr Crippen…”
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Going On
The Stage, April 11, 1991
“…Giselle Wolf and Tim Earle have (energy and creative mugging) in abundance…Wolf’s cookie charm and the sheer pace of the proceedings kept (the audience) entertained…”
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Going On
International Herald Tribune, March 27, 1991
“…Giselle Wolf as Lynn and Tim Earle as Alfred give performances of brittle, waspish energy and intelligence…”
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Dressing Room Blues
March 27, 1991
“…It is delivered with clarity and verve by both actors who seem to spark each other off…Miss Wolf breathes real life into the part…”
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Stage Struck
The Stage, August 2, 1990
“…Wolf is a very fine actress…she gave a free-flowing performance with her lines and movements highly coordinated but never through contrivance…”
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Going On
The Guardian, July 14, 1990
“…Giselle Wolf as Lynn offers garrulous false ebullience in act one, brittle confidence is act two, and just enough glimpses of the basic insecurity that informs both…”
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Just walking by the telephone
The Surrey Comet, July 7, 1989
“…The multi-talented Giselle Wolf examined the tragic and the comic sides of love and romance…With a beautiful and precise voice, Miss Wolf both acts out and sings a handful of songs…”
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